The Year In Review

Maybe it's because I'm a history major, maybe it's because I live in the past, or maybe it's just part of my personality to embrace nostalgia... BUT I LOVE RECAPPING THINGS. Hell, one of my favorite part of the party-scene in college was eating brunch the morning after and retelling the stories that had become ancient history over the night.

This time of year it's all about recapping the 365 days that most recently came before us. While I haven't been drooling over this stuff like I did in 2009, I've been eating the 2011-Recap stuff right up. I've compiled some of the notable articles/lists for you to enjoy!

End Of The Decade Nostalgia

The end of 2009 is fast approaching and with it comes the end of this Decade, which I guess doesn't have a name yet. And because of this, the usual coundowns, top-ten lists, and reflections by important people are abundant in the media. I've been eating it all up. I love it. I'm a reflective person and I just can't get enough of it. I've been skipping the 2009 stuff for the most part - I'm all about looking at the decade as a whole.

It started when I read TIME's December 7th issue. It bashed the decade although it did have a small article titles something like "The Good Times from 00-09," which talked about mostly research breakthroughs.

After that, I kept going. Newsweek online had a TON of material, and it was in a cool looking layout, so I spent a good hour on that one day. There is list of most memorable quotes (like Cheney's "Go Fuck Yourself."), things that were unknown in 99, but standard now, most important cultural moments, and even predictions for 2010 (even though they have a whole section about the last decade called "Worst Predictions"). They also have essays - one describes how it would have been if Gore won.

And the other night Stephen Colbert interviewed Tom Brokaw, who called the decade the "Holy Shit" or the "Oh My God" Decade, "where everything was out of sync with what it had been before" and the old rules didn't apply. He also said that we took a lot for granted in the 90s, such as national security and financial negligence.

On a silly note, my friend sent me this list of "That Were Popular At The Beginning Of The Decade That Aren’t Popular Anymore." It's great.

And then if you haven't seen them, check out the 2009 JibJab Year in Review. They do one every year . I started looking at them in 2007 and I think that one is my favorite. But the 2008 one is worth checking out too.

I think I may be so interested in it, because I really came of age in the 00-09 years. Personally, my years as a 10-20 year old were more enjoyable and fullfilling than my years from brith to reaching double digits. But it's also wierd to look back and say that I developed my values, principles, and identity in a time of poor leadership, terrorism, war, partisanship, technology and information overload, and clashing cultural values.

And there is no use looking forward to the next decade, because the world is ending in 2012. (It's true, I saw it on the History Channel!)

Well, here's to living our last hours of 2009 to the fullest before closing that book for good. And here's to a fun New Years Eve! My good friend is throwing a party at his apartment downtown. The theme is "A Very Lumberjack New Years." It should be a slendid old time!

Album Review: Dr. Dog - Fate

I'm going to begin this post wondering why I am even beginning this post (does that make sense?), since I'd rather that nobody else knew about the indie music I am enjoying and about which I am planning to write.  Furthermore, I will respectfully request of all you loyal readers that you do not tell anyone about the indie music I am writing about, since I'd prefer to continue to listen to it, and if everybody knows about it it becomes uncool, I will be forced to delete it from my iTunes, and therefore will no longer be able to enjoy it (but I wouldn't enjoy it anyway, at that point, because it would be uncool).  

iTunes tells me that the genre of Dr. Dog's album entitled "Fate" is "indie".  I try not to pay too much attention to the genre of a specific group - I prefer to listen to music that I truly like.  However, as we all know, I'm a pretty indie guy so I think that the simple fact I am now listening to this "indie" album helps with the personal image that I am trying to project to the world.  I'll probably end up playing this album on my radio show, wearing my Waldo glasses everywhere, and feeling elite about this music (and other stuff that nobody else knows about).

I know that Dr. Dog came to Carleton during a previous spring concert, and to be quite honest, I don't really remember much of it at all.  In fact, when my friend mentioned Dr. Dog to me, I thought he was talking about a rap group.  Nobody knew about Dr. Dog, and maybe that was better for the few people who did know about Dr. Dog, because they were probably infinitely cooler when they were even more indie and nobody knew about them.

But, let me tell you, their album "Fate" is currently just about the only thing I'm listening to.  It's a really enjoyable album, and I would recommend it to anyone that has any interest in any type of music at all (but only if you can truly appreciate it, and if you won't tell anyone else so it stays cool).

The album starts with a delightfully mellow song "The Breeze", where Dr. Dog ponders the movement of time, asking the listener if we think we're moving too fast, or if we're stuck in time.  Then, Dr. Dog encourages us to make a snow angel and freeze.  Maybe that's the solution to controlling time.  Snow angels.  Finally, Dr. Dog gets quite deep and recognizes that, in the end, it's the breeze.  And the breeze, ahh, it will blow us all away.  This song ponders a lot; time, renewal, weather patterns, and eventually (I believe) death and the afterlife.  I see "the breeze" as a clear metaphor of somehow moving on.

In the second track on "Fate", called "Hang On", Dr. Dog grapples with some identity issues that he himself is feeling.  This is a common indie theme, but he examines it from a new perspective.  He tells us he is not a stranger, and that we both get it wrong.  It is unclear whether "we" refers to the listener and the Dr., or another unknown subject.  But after this, Dr. Dog explains that he needs his heart mended, but in doing so, he belittles his own profession by explaining that he "don't need no doctor to tear [him] all apart" but rather just needs "you, to mend his heart".  Again, who "you" is is rather unclear: listener? unknown subject?  It's up for interpretation.  Lastly, Dr. Dog once again weaves the subject of varying weather patterns into this track, mentioning how our unknown subject (or the listener, "you"?) thought that a hurricane was just the "rustling of the wind".  Maybe we need a now-discredited Dr. to examine "your" nervous system?  Are "you" feeling numb, and unable to differentiate between varying degrees of wind speed?

Perhaps the best song on the album is the third track, entitled (quite nostalgically), "The Old Days".  This song is catchy, has a lot of repetition, longs for the old days, and does not mention any weather patterns in the lyrics.  I find all of this rather refreshing, like a breeze or the rustling of the wind (but not a hurricane).  The Dr. gets rather prophetic in this song, telling us that "down down down, the moon's going to fall down, thump thump thump, the house is going to fall down", and therefore we must go "back back back, back to the old days".  Finally, as we go back to the old days, we must "wrap up the money, and save it for a sunny day day day".  We are strongly encouraged to both save money with an eye toward the future, but at the same time go back back back to the old days.  Once again, the theme of the speed of time, and even time-travel, is explored in this epic tune (and it's only the third track!).  There are 8 more!

As the album continues, Dr. Dog wrestles with a variety of themes, conquering them all in his own unique, doctorly way.  The sixth track, "The Ark" is evidence of a valiant attempt by Dr. Dog to tackle weather patterns (again!), war, love, religion, and human existence as a whole.  All of these themes are discussed with the back of a rather chill guitar riff that helps the listener to understand these heavy, heavy themes.  After explaining his how he built an ark and rain didn't come, how he built a gun but was unsure about war, how he tried to give more to his love but made her poor, he finally asks the question "what does it mean to be here?".  I can't answer that, but he repeatedly tries, telling us "well, I know, because I can and I will".  However inspiring this lyric is, it still doesn't really tell us what it means to "be here".  But maybe that implied uncertainty is the essence of what he's getting at.

The second-to-last track, "The Beach" discusses weather patterns (again!), alcoholism, fate, marijuana, and memories.  This is some heavy-hitting shit; the ominous and dark guitar that plays in the background as the Dr. examines these themes makes them seem ever more serious.  It works quite well.  With each successive verse, the Dr. explains a situation, such as running aground in a beach during a rainstorm as rain pours through the roof of a boat (how terrible), and then explains how "fate has a funny way of coming around".  It's all deep, as previously recognized, but the Dr. does a good job of linking the themes and creating a bold and profound, yet easily enjoyed, track.

Overall, the album exemplifies the versatility of both Dr. Dog, but also the indie genre as a whole.  I would highly recommend this album to anybody (but don't tell anybody else!).

Alright, I'm off to take photos of my feet and strum my guitar before I hop on my fixed-gear to go buy a new (old?) sweater at the vintage clothing store.